Though we've also heard that our heroes may not be the only ones looking for their estranged friend, and they may also be after the lightsaber too. Rumors peg the lightsaber as a MacGuffin that leads them to encounter Han Solo and Chewbacca, who haven't seen Skywalker in 30 years, and this leads them to go searching for the Jedi. We won't get into specifics (you can read more details right here), but the most important detail is that our main characters come into possession of Luke Skywalker's lightsaber at some point in the film. Now keep in mind that this is just speculation, so don't take any of this as fact or even rumor when it comes to the events that will unfold in Star Wars: Episode VII.įirst of all, let's talk about the plot details that surfaced over the summer. Thankfully a hint at the answer just might lie earlier in the trailer, and it seems to be confirmed by plot details that leaked over the summer. Abrams we're talking about, so it has to mean something. You might just disregard that as a fun little easter egg, but this is Bad Robot and J.J. Well, what's interesting is that the sound in question isn't used as a cool way to reveal the release date, but it comes after that title card. For some reason, "Good Morning America" went out of their way to reveal the "exclusive" detail that the sound was that of Luke Skywalker's lightsaber from A New Hope and The Empire Strikes Back. At the very end of the teaser trailer, after the "December 2015" bumper disappears, there's the sound of a lightsaber. However, one element that seems to have been largely overlooked isn't something that can be seen, but rather heard. Exploring new concepts of sound design is something I am very excited to be apart of.Every single frame of the teaser trailer for Star Wars: The Force Awakens has been examined all over the internet, and it's led to rampant speculation about a variety of things. Creating interesting sound effects is a major part of this project as one of the designated sound designers. Retrieved 1 July 2016, from įor our major group project this trimester at SAE, we are focusing on sound replacement, concepts such as foley, ADR, sound effects and composition. Star Wars Featurette: The Birth of the Lightsaber. This sound has been a landmark in history for all sound designers, and a piece of inspiration for myself and many other engineers to chase and learn from.īen Burtt on Lightsaber Sound Design. This created a pitch changing sort of doppler effect which created this feeling that the Lightsaber was moving around. To create that effect, he played the humming and buzzing sounds through speaker, and with a long microphone, he recreated the Lightsaber movements of the actors in front of the speaker. These two became the basic lightsaber sound for the film.įrom this point the only hurdle to tackle was creating the right tone to work with the visuals, a lightsabre isn’t a stationary object, it is constantly being waved and thrusted around.
WHAT WAS USED STAR WARS LIGHTSABER SOUND EFFECT TV
The microphone picked up a transmission from the TV when passing over the picture tube, it created another humming and buzzing sound. Burtt also found, by accident, this other sound, that was created when he walked past a running Television set with a microhone. When switched on they created this humming sound, according to Burtt this hum was the foundation of the Lightsaber sound. At this time he was a student and a projectionist at USC, the campus had projection booths and some very old Simplex projectors, these were connected to the system with interlocking motors. Amongst the plethora of weird and exotic sounds Burtt had to create, the first to catch his interest was the Lightsaber sound.
The Lightsaber sound was created by the sound designer for the first film, Star Wars IV A New Hope, Ben Burtt. This blog will be examining the world famous sound of the Lightsaber, from the LucasFilm saga, Star Wars. Thus, a sound must be crafted to the creators vision. Unfortunately, it is not always so easy to do this, for a number of reasons of course, but a major one being that a particular sound or even the object making that, may not exist in reality. The ideal method for creating any sound effect is to capture it live in its natural environment, it will possess all the authenticity and fullness of effect.
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